However, it is pickled with colourful metaphors and snappy dialogue. Accuracy: A team of editors takes feedback from our visitors to keep trivia as up to date and as accurate as possible. Skip to comments. Double Indemnity (1944) Tough Talkers-Phyllis Dietrichson (Barbara Stanwyck) and Walter Neff (Fred MacMurray). Walter Neff notes that the smell of honeysuckle produces for him what atmosphere, as presented in the film and emphasized in lecture and/or handout? There is no doubt in Double Indemnity, that Phyllis Dietrichson, the dissatisfied wife of a wealthy older man is being sexually objectified both by the imagery of the film and by her position in relation to the other characters. Cain used the Snyder case as an inspiration for his 1943 novel Double Indemnity; Marling believed it was also a model for the plot and the title of Postman. -- (Which, I suggest, was caused by the Hayes Code, which prohibited the explicit.) A housewife, played by Barbara Stanwyck, seeks to murder her husband. Double Indemnity Trivia Questions & Answers : Movies D-G This category is for questions and answers and fun facts related to Double Indemnity, as asked by users of FunTrivia.com. The prohibition regarding all things sexual meant that writers were forced to use innuendo and metaphors to suggest sexual themes, something we see in spades in the example here in Double Indemnity. Tough Talk-Walter: "I was thinking about that dame upstairs, and the way she had looked at me, and I wanted to see her again, close, without that silly staircase between us." Chandlerisms: A collection of similes, one-liners, and turns of phrase written by Raymond Chandler Chandlerisms ^ | Raymond Chandler Posted on 12/30/2002 7:54:43 PM PST by PJ-Comix "Then her hands dropped and jerked at something and the robe she was wearing came open and underneath it she was as naked as September Morn but a darn sight less coy." State the three sexual text metaphors in the movie Double Indemnity as presented by Cromwell in lecture and/or handout. Stream it tonight. This is the legendary tag line for Billy Wilders most incisive film noir, Double Indemnity, even though in 1944, when it was first released in New York on September 11, critics called it a melodrama, a elongated dose of premeditated suspense, with a pragmatism evocative of earlier period French films [poetic realism of the 1930s], with ⦠Laura (1944) But the fruit is forbidden, so you have to jigger the systemâstarting with euphemisms. Metaphor is an essential figure of speech for writers of both poetry and prose. Previous quotes used in this study illustrate how metaphor is continually used in Noir â everything is poetically implied. Itâs important that writers construct proper metaphors so that the comparative meaning is not lost for the reader. The diction is not innuendo driven â as in Double Indemnity. Fate is a condition of individual intelligence, knowledge of the odds, the mathematics of the perfect crime. Released in 1944, Double Indemnity follows an insurance salesman (Fred MacMurray) who gets caught up in a murder plot. In fact, metaphors are dependent on the understandable combination of a principal term and a secondary term. Red Hot Poker Smell of Honeysuckle The term "Baby. Double Indemnity exists in a placenta of secular astrology, where fate and chance are subject to the mathematics of an insurance company's actuarial tables rather than to the divine Fortune of a Christian God... or any god for that matter. Double Indemnity (1944) Pages: The Story (continued) Phyllis and Neff meet in a planned location at a pre-determined time - Jerry's Market on Los Feliz. Here is the scene in the ⦠Double Indemnity is an extended parable of the stages of sin: you see the fruit; you want the fruit. She is a beautiful and alluring woman, barely older than Lola, her husbandâs daughter from a previous marriage. Related quizzes can be found here: Double Indemnity Quizzes From the moment they met, it was murder!