.sidebar-container .widget{ border:0; I love the giant soundhole with its multi-ply rosette. padding-left:0; from{ body.item-view .post-outer-container .inline-ad, } } } .extendable .show-less,.extendable .show-more{ margin-right:1em text-transform:uppercase } .blog-pager{ word-break:normal .search.focused{ min-height:100vh display:-webkit-flex; background:0 0; a{ -webkit-transform:scaleX(-1); .post-sidebar .post-share-buttons { margin-top:.5em .comment .avatar-image-container img{ .blog-pager a{ display:inline-block .comment-body{ height:40px; } border-top:1px dashed rgba(0,0,0,.54); .widget.Profile .individual .profile-link{ } Notes: If you always admired the superlative L-5's of the 1920's, flex:0 0 auto; } list-style:none; position:absolute max-height:75vh; padding:0; .inline-ad{ magnificent tone of the original Lloyd Loar body design. display:none margin-left:353px position:relative; display:block; } background:linear-gradient(to left,#ffffff 0,#ffffff 20%,rgba(255, 255, 255, 0) 100%); font:normal normal 12px Arvo; -ms-flex-wrap:nowrap; fill:#000000 .sticky .search .section{ content:',' display:flex } } font:normal normal 12px Arvo; } order:4; margin:0 30px The neck is just slightly thinner than the usual mild/medium soft-V Gibson necks of the period and feels a lot like a '20s/'30s Martin, really. border:0; outline:0 } height:120px; text-align:right lifelong companion. Quick Shipper . .post.no-featured-image .post-title,.post.no-featured-image .post-title a{ It's hard not to love the inlay on these guys. background-color:#ffffff; } background:#70af68 #comments,body.item-view .post-outer-container .inline-ad,body.item-view .widget.PopularPosts{ -webkit-flex:0 0 auto; box-sizing:border-box; } Produced with the same body as the 20's L-5, the Gibson L-4 was adorned with variegated pearl "Nick Lucas" fingerboard inlays borrowed from the banjos of the previous decade, making the L-4 inlay actually more ornate than it's costlier cousin. .Attribution div{ padding-bottom:8px color:#000000 Gibson L4-C 1948. .paging-control-container .comment-range-text,.paging-control-container .paging-control{ -ms-flex-order:4; font:normal normal 12px Arvo -webkit-box-ordinal-group:3; } border-color:#4e884a; fingerboard and bridge oiled; body and neck cleaned and hand polished. padding:0; display:-webkit-flex; #comments .comment .comment-actions,#comments .footer,#comments .footer a,#comments .loadmore,#comments .paging-control{ } flex:0 0 auto; border:0; compensation set; string slots at nut and bridge inspected and recut as text-transform:uppercase Soon after that date, the L-4 went to f holes. .search.focused form{ font:normal normal 12px Arvo; There is one small surface crack on the bass side, lower bout of the back and the original pickguard has been removed. } -ms-flex-pack:center; font:normal normal 16px Copse; } font:normal bold 16px Arvo; Some of these (all of these?) -ms-flex:1 1 auto; -ms-flex-wrap:wrap; My Personal Axes. } box-shadow:0 2px 2px 0 rgba(0,0,0,.14),0 3px 1px -2px rgba(0,0,0,.2),0 1px 5px 0 rgba(0,0,0,.12); background-color:transparent .collapsible>summary::-webkit-details-marker{ .adsbygoogle{ .centered-top-container .svg-icon-24,.centered-top-placeholder .svg-icon-24{ -webkit-transform:translateX(-3888px); .byline.post-labels a:not(:last-child):after{ .sidebar-container .widget ul ul{ } background:0 0; } height:62.5vw; } .Profile .team .avatar-icon,.Profile .team .default-avatar-wrapper,.Profile .team .profile-img{ padding-left:0; } body.item-view .post-body-container:before{ } } } } .blog-name{ visibility:hidden .post-body iframe{ height:0; 10oz. box-shadow:0 4px 5px 0 rgba(0,0,0,.14),0 1px 10px 0 rgba(0,0,0,.12),0 2px 4px -1px rgba(0,0,0,.2); -webkit-box-flex:1; .page .widget.FeaturedPost .thumb-link{ padding-top:0 } .overflow-button{ width:auto color:#000000; .search.focused .search-action:disabled{ 1929 Gibson L-4 Serial #89021. } } Then in an odd Gibsonish move, for about one year later -- c. 1937 -- they built a few more round hole models. position:relative background-color:transparent } -ms-flex:0 0 auto; display:-webkit-box; The second has an early 1930 serial number and is an example of a typical round soundhole L-4 model that replaced the oval hole design in 1929. .share-buttons li{ } font-size:16px; } .comment .comment-block{ overflow:hidden -webkit-box-pack:justify; -webkit-transform:rotate(-360deg); } } } margin-top:0 } display:block cursor:pointer; padding-top:12px overflow-y:hidden .snippet-container{ margin-top:0; position:absolute; -ms-flex:1 1 auto; .sidebar-container .Label li a{ -webkit-order:1; } font:normal bold 24px Arvo font-size:14px; color:#000000; margin:0; } transform:translateX(-3888px) html[dir=ltr] .sidebar-container{ .post.no-featured-image .post-header,.post.no-featured-image .post-header a,.post.no-featured-image .post-header button{ font:normal bold 20px Arvo; background:0 0; width:1px; // See https://www.blogger.com/go/adspersonalization width: auto; @keyframes mspin-revrot{ .page_body{ outline:0; } justify-content:space-between; } .search.focused .search-expand{ } line-height:24px; color:transparent; iframe.b-hbp-video{ #page_list_top .widget.PageList .overflow-button a,#page_list_top .widget.PageList .overflow-popup li a,#page_list_top .widget.PageList .overflowable-contents li a{ height:1px; -ms-flex:1 1 auto; .post-body a[imageanchor]{ -webkit-transform:translateX(-3888px); } height:auto; -webkit-flex:0 0 auto; visibility: hidden; } .post-body img{ .no-posts-message{ .subscribe-section-container{ display:block; 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display:-ms-flexbox; } } -webkit-box-flex:0; -webkit-box-ordinal-group:5; .extendable .remaining-items{ padding:8px padding-bottom:6px flex:1 1 100%; .paging-control-container{ } padding:16px / Ordering / Tips / Friends. .search form{ } -ms-flex-line-pack:center; color:#4e884a } It's right over kerfing so a non-issue. Same scale, f-holes, fingerboard dimensions, bracing, the works. -webkit-flex:1 0 auto; .search-focused>*{ .back-button-container,.hamburger-menu-container{